mixed media painting on handmade spanish flax paper
24.5 x 18.25 in. (62.25 x 46.5 cm.)
$1100 retail.
Submerge
mixed media painting on handmade kozo paper
25.5 x 21 in. (65 x 53.5 cm.)
in private collection.
Star Murmurs
mixed media painting on handmade kozo paper
23 x 17.5 in. (58.5 x 44.5 cm.)
$1100 retail.
Celestial Day (with detail)
mixed media painting on handmade kozo paper
80 x 16 in. (203 x 40.6 cm.)
$1750 retail.
An Inner Astronomy, installation - video
An Inner Astronomy: Artist Statement
I can spend hours staring into the sky, mesmerized by the expansiveness of the sky, pondering on our place in the universe. The vastness of space holds an ultimate touchstone for me: the sky is a window to the infinite.Through time, humankind has sought to explain and fathom the mystery of our being: in these bodies, on this planet, in this galaxy through mathematics and science and religion. My studies in archeo-astronomy - the exploration of how varied cultures have explained the mysteries of the stars and sky through mapping, symbols and myth - as well as my own dreaming and explorations have informed “An Inner Astronomy”.
I hope you can make it to the actual exhibition!! But please enjoy this virtual tour~
Chicago artist and curator Sergio Gomez, interviewed me and posted it today~ Exciting!! Not to mention his amazing artwork, Gomez is a career mentor and avid writer/blogger. I think he posted it in six places! I'm greatly honored! Here is one of them linked below. My new installation entitled "Botanical Reveries" just put up will open (no reception) on the 10th of August. Will post more details later. But you can see some images in the interview.
One-on-One with Catherine Nash, Tucson, Arizona, USA
What is your work about?
Beauty. Serenity. Compassion. Nature. The poetics of landscape. A particular timelessness. The nature of Being. I create art that responds to the natural world, reflecting a spiritual and philosophical relationship with the environment. The terrain, aesthetics and cultures of Japan, memories of the rich gradations and spaciousness of Scandinavian summer night skies, my experiences with Native American friends and explorations of the southwestern desert wilderness: these are my influences and what informs my artwork.
Do you have a studio routine, strategy or ritual that helps you get in the creative zone?
I work best with a deadline. If I don’t have a show or a gallery deadline, I impose it upon myself. I always leave something to finish the next day.
How has the pandemic affected your art practice?
I have been 100% unemployed since mid March. My gallery closed. No teaching. My selling of period wardrobe to film/TV costume designers dead stopped. I had prepared for an emergency financially and have some backup resources, so I could “relax” into it. Once I got a bit more accustomed to the unknown, I eased into this new normal. In the studio every single day, I use deadlines to keep me focused and perhaps sane. A big shift is that I have more time to read, research…and dream. It is in the “dream state” that I receive new inspiration.
Catherine Nash An Inner Astronomy, 2018 Mixed Media Installation
What is your greatest reward, memory, accomplishment or proud moment as an artist?
I am still greatly honored to have received the “Lumies Artist 2015” award for southern Arizona, “Catherine Nash – Artist Award: awarded to an individual artist that has demonstrated excellence, originality and ingenuity in the local arts and culture sector; arts ‘luminaries’ who have made a profound impact on the lives and communities of Southern Arizonans."
Perhaps most meaningful is that I was nominated and then voted for by peers and major arts professionals in Southern Arizona. So grateful and honored!
What is one thing you MUST have in your studio?
Soft Music. Incense. No phone/no laptop. Solitude. Quietude. Whoops! That is more than one thing. So perhaps, “conducive environment” is the one thing.
Catherine Nash Breathing Under Water, 2020 Encaustic painting 12”w x 18”h x 1”d
What would you tell your future self about being an artist right now?
“You are right to remain true to yourself, continuing to create work from your core, your deepest reserves, your poetic self. You know it centers and grounds you. Embody peace. Who knows where the art world is going? You cannot care about how you fit in…it is most vital to listen to and honor creative muse….and then create!
After more than 4 decades of continuous, focused art making, TRUST. Trust the conversation that is without word: an intuitive conversation with paper, wax, branches, brush, pen, saw and twine. So, future self, trust thyself! Stay true!”
How has the Art NXT Level Academy improved your art career?
A new member with one month under my belt, I joined to gain a clearer understanding of the changes within the professional art world. I have completed the “Road Map for Established Artists”. I’m almost done with the “How to Sell Art Online Post Covid-19” section and more. I’ve gotten a lot of affirmations about my own marketing and have also learned a great deal – about the potential of social media as promotion for instance. I learned that some things I don’t want to pursue, yet for the most part, I am trying to integrate these innovative new ideas.
Catherine Nash Botanical Reveries, 2020 Mixed Media Installation
What is the best art career advice you’ve ever received?
Dutifully carrying my portfolio into Manhattan at age 18, both advertising artists separately advised me to “Make art that follows your heart and spirit.” Little did my well-meaning father anticipate that the two interviews he set up for me would both end up with such advice.
“What is the worst thing that can happen here? Will you die?” : my own bolstering mantra used numerous times, to combat fear. It got me onto a plane to Europe with a 1-way ticket and my portfolio at age 22. Lived in Paris for a year and a half.
Catherine Nash An Inner Astronomy, 2018 Mixed Media Installation
Sergio Gomez is a Chicago-based artist entrepreneur, curator for the Zhou B Art Center, owner of 33 Contemporary Gallery, art career coach, and co-founder of the Art NXT Level Academy. Follow him on Instagram @sergiogomezart
Catherine Nash Reflected Constellation, encaustic painting & oil stick, 20” X 10 1/4”(vertical diptych)above left Before Dawn, encaustic painting & oil stick, 16 1/2” X 24” (fourpanels)above right Quest, encaustic painting & oil stick, 12” h X 15”w above center
I'll be giving a lecture entitled Wax and the Artist Book at the 4th Annual Encaustic Painting Conference at Montserrat College of Art in Beverly, MA as well as teaching a workshop post conference that integrates the book arts with encaustic. It is an exciting opportunity full of learning, sharing and networking...my third summer participating~ Nearby, I'm honored to be included in an exhibition entitled The Luminous Landscape at the Kensington-Stobart Gallery in Salem, MA, which opens on June 10th from 5-8pm. (three encaustic paintings above will be included) Thanks to Julie Shaw Lutts who organized this show: I find her assemblage artist books just incredible. The artists in this collective and exhibition are truly inspirational to me: check out the paintings and encaustic monoprints of Alexandre Masino who has posted links to all the artists in his blog, so explore! He writes: "The collective comprises of 18 artists working with encaustic and the rich subject of landscape painting. This coming show is curated by Sandy Heaphy, gallery director at the Kensington Stobart Gallery, Julie Shaw Lutts, Linda Cordner, Janet Bartlett Goodman, and Charyl Weissbach. Last year, the collective published a beautiful intimate catalogue on our 2009 show; you can order it online here."
Right after I get back, Rob will leave to teach at the historic Arrowmont School of Arts and Crafts in Gatlinburg TN for a week of inspiring photography, such a rich and wonderful place of creative inspiration, nestled up to the beautiful Smoky Mountains.
Catherine Nash Two Trees Encaustic painting 6” X 6”
We will find our moments in nature this summer, give ourselves a chance to slow down and live life more quietly, more "Thoreauesque" I like to say. Spending time w/o TV, w/o internet deep in an ocean of green and wild things where the creative mind can dream and express itself. It is hard to disconnect and I resist it. From the other side though, I remember how to breathe...
